Seacoast Stompers at the Acton Jazz Café, April 5, 2014

7-piece Trad Jazz Band

Seacoast Stompers at the Acton Jazz Cafe

Frank Stadler, piano and leader, Craig Ball – clarinet, Jimmy Mazzy – banjo and vocals, Scott Philbrick – trumpet, Lee Prager – trombone, Al Bernard – sousaphone, Bobby Reardon – drums.

by Marce
Videos by Harold McAleer

This was the Seacoast Stompers’ 6th year at the Acton Jazz Café; they play the 1st Saturday of every month.  Their music warmed our hearts and melted the snow! They started with their theme At The Jazz Band Ball without reed-man Craig Ball, who had been delayed.

Frank at microphone

Leader, Frank Stadler

 

Leader Frank Stadler announced there would be a different format this month – three 50-minute sets with 15-minute breaks.  He also wanted to involve the audience.

He sorted through their past 285 tunes and distributed a list of the most popular ones to the audience so they could pick what they wanted to hear.  (Live music is a social experience, it makes people happier.)   When all the lists were returned, all the tunes had been picked!  So Frank turned the lists over to Scott Philbrick.

 

Scott is their “music leader” – he let the musicians choose from the lists.   Jimmy began with Oh Baby, banjo and vocal – good choice.  Someone hollered “Better than New Orleans!”   We have no argument with that.

Lady Be Good, Prager grinning ear to ear – he enjoys being with this group, keeping up with  Scotty’s multiple notes.  There’ll Be Some Changes Made was Frank’s call.

I’ve Got The World On a String, Jimmy vocal, with Lee’s muted trombone in rippling vibrato.  Albie’s choice of tunes – ‘Deed I Do. Jimmy’s interchange with Albie was fabulous.  Craig arrived; his clarinet does make a difference!  Found a New Baby, drum intro with Craig Ball reaching for the sky on clarinet. WILD!   The set closer was delectable hot jazz, Sweet Georgia Brown.

The audience insisted on Limehouse Blues starting the 2nd set.

Prager began the trombone intro to  I Guess I’ll Have to Change My Plans.
Especially for Lynn Sickle – they played a sweet All of Me.

Jimmy playing banjo and singing.

Jimmy Mazzy is revered in Europe.

 

 

 

Dr. Jazz – Jim scatting, not quite into his infamous holler.   We are privileged to have him here with us, singing and scatting to many tunes.  Rosetta was sweet.  Albie requested Dinah.  Jimmy went wild – he can be a tiger too.

 

 

Is You Is Or Is You Ain’t My Baby – the interaction between cornet and trombone is unbelievable!

Tin Roof Blues, soft tuba intro to this New Orleans jazz standard – one of the most often played early New Orleans jazz pieces.  The Stompers did it justice in slow, N.O. tempo.

Jack Phelan,Trad Jazz afficionado, requested Ain’t She Sweet.  He was here with his family and the Charlie Hoar family.   Some history: Jack and Eleanor Phelan, Charlie and Margaret Hoar and the Enrights, traveled all over New England and Canada in the late 60’s and early 70’s, hearing all the best Traditional Jazz Bands of the day:  East Bay City, New Black Eagle Jazz Band, Kid Sheik, Barry Martyn (here from England.)  Their kids grew up with this music.

Jack Phelan with his adult kids, some his, some nephews and nieces.

Jack is in the back on the right, with the Red Rock sweatshirt.

 

Carrie singing

Carrie Mazzy

 

 

 

Carrie Mazzy sang her own poignant interpretation of Just Because.

 

 

 


Blue Lou
was uptempo with inspired solo work. Three Little Worlds was also in blazing tempo, clarinet & trumpet leading, trombone playing counter melody.  Their performance is awe inspiring!

tuba and drums

The Rhythm Boys, Al Bernard and Bob Reardon

 

 

 

Al Bernard pushes the band playing chords on tuba; Bob Reardon keeps them in proper time.  They keep the rhythmic fires burning bright.

 

 

 

 

The finale was imaginative and swinging – Swing That Music.  It raised goose bumps!

Then Gwenn Vivian dropped a bombshell:  The AJC must move out by May 1st – a new  tenant with more $$ moving into their corner of the Nagog Park Mall.

But this is the Jazz Club you can’t crush!  She has a new partner Josely Nogueira which gives them more strength and chutzpa – they will reopen when they find the perfect spot, and this band WILL be there, and so will we.  “You’ve been a great audience – loved us and the band – don’t disappear.”  She hopes to reopen the Acton Jazz Café somewhere in June.

Meanwhile, The Seacoast Stompers Jazz Band have been given an extra day on April 26th to play here in Acton before they close the doors.  See you there? Guaranteed, this music will make you happy!

 

 

Seacoast Stompers
Tunes played on April 5, 2014
Set 1
1  At The Jazz Band Ball
2  Oh Baby
3  Lady Be Good
4  There’ll Be Some Changes Made
5  I’ve Got the World on a String
6  Deed I Do
7  I Found A New Baby
8  Sweet Georgia Brown
Set 2
1  Limehouse Blues
2  I guess I’ll Have To Change My Plan
3  All of Me
4  Doctor Jazz
5  Is You Is Or Is You Ain’t My Baby
6  Tin Roof Blues
7  Dinah
Set 3
1  Ain’t She Sweet
2  Blue Lou
3  Just Because
4  Rosetta
5  Three Little Words
6  Swing That Music

Seacoast Stompers at the Acton Jazz Café, March 1, 2014

All but the drummer are visible

Seacoast Stompers on the new Acton Jazz Cafe stage

Dave Whitney trumpet, Craig Ball clarinet, Scott Philbrick banjo/guitar/cornet, Lee Prager trombone, Frank Stadler leader/piano, Al Bernard tuba, Bobby Reardon drums.

The decor of the café has totally changed, it feels more like a nightclub now, with a full raised stage at the back of the room.   Definitely an improvement; same fine food and gracious personnel.  Alternating spotlights from blue to red to white give it nice atmosphere, but raise cane with the videos.
View of crowd from the back  - actually near entrance of AJCOn this First Saturday of the month, The Seacoast Stompers began as always with their Flagship tune, At The Jazz Band Ball, a 1917 jazz classic done by the ODJB, and one of the earliest and most recorded jazz compositions. Scott was strumming on banjo because Jimmy Mazzy was home looking after Carrie.

Earl Hines’ Monday Date, Scott was on acoustic guitar; Whitney trumpet, Craig soaring clarinet, Lee swinging trombone, Frank piano, Bob drums, Albie’s tuba pushing the whole ensemble.  Fabulous!

Frank Stadler doesn’t like to repeat tunes.  They haven’t done Moonglow for a while, nice slow dance tune.  Charlie was up immediately – he dances with all the ladies. He found an open corner near the bar.
Elderly couple dancing by the barBack o’ Town Blues is a nice slow Blues, one of Whitney’s favorite vocals. The musicians followed him, playing passionate solos, with Lee growling on trombone.

After You’ve Gone, trumpet intro with tuba back up, was really great Dixieland;  Whitney squeezed in a bit of  Little Girl.  Frank played beautiful melody on piano, backed by Albie’s chords and Bob’s time keeping.

Dave on trumpet, Scott cornet, piano back of themScott returned to his cornet, now we had two horns, no waiting; Take Your Tomorrows and Give Me Today.  Bix did this with Frank Trumbauer in 1928.  They started with fantastic brass, and finished it the same way; it sure was great to have Dave Whitney back.  Love is Just Around the Corner, Whitney vocal, the band played full force, stopping on a dime!

There’s always a discussion on the next tune, who will do what?  Here was a “good ol’ good one” done by the Original Dixieland Jazz Band also in 1917 – Fidgety Feet had the audiences’ feet tapping.  You can’t sit still listening to this Jazz.  Albie took a melodic solo on tuba, Scott back on cornet, Bobby wouldn’t let it quit, taking multiple drum endings, nailing the end with a final cymbal crash.

Bob Reardon supports the band with his fine drumming.

Bob Reardon supports the band with his fine drumming.

Nobody wanted to quit.  Louis did Wild Man Blues with his Hot Seven – we had hot banjo, and tuba too.

Bob Crosby’ Bob Cats recorded Irving Fazola’s   I’m Coming Virginia. 

Fats Waller’s Baby Brown had Dave Whitney on trumpet and vocal, and Scotty on cornet.  They have a friendly, compatible competition going.

Scotty Guitar

 

 

Song of the Wanderer was a really HOT ONE with Scott on banjo, then he was back on guitar for Someday Sweetheart.

 

 

Dave Whitney and Scott Philbrick have a friendly go-round on Mandy, Make Up Your Mind

A request (inevitably) started with a very truncated Saints, and quickly moved to Who’s Sorry Now, finishing with Ain’t Gonna Give Nobody None of my Jelly Roll.

As usual there was a full house enjoying the fine Dixieland and Swing of the Seacoast Stompers. You can hear them at the Acton Jazz Café on the first Saturday of every month, in the afternoon – easier driving for most of us.

To get the best seat, please make a reservation; email gwenn@actonjazzcafe.com  with the subject line reading either RESERVATION or CONTACT, or call them at (978) 263-6161 after 5 pm.  http://www.actonjazzcafe.com/  Use 5 Nagog Park Mall on GPS to get directions.

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Seacoast Stompers tunes played on March 1, 2014

Set 1
1   At The Jazz Band Ball
2   My Monday Date
3   Moonglow
4   Back o’ Town Blues
5   After You’ve Gone
6   Take Your Tomorrow
7   Love Is Just Around The Corner
8   Louisiana Fairy Tale
9   Fidgety Feet

Set 2
1   Avalon
2   Wild Man Blues
3   Can’t We Be Friends
4   I’m Coming Virginia (W/Verse)
5   Baby Brown
6   Wabash Blues
7   Song of the Wanderer

Set 3
1   Preacher, The
2   Mandy Make Up Your Mind
3   Someday Sweetheart
4   Who’s Sorry Now
5   Jelly Roll (Ain’t Gonna Give You None)

 

 

 

 

 

Seacoast Stompers at the Acton Jazz Café, November 2, 2013

 videos by Harold McAleer

taken from back of cafe, band up front, crowded tables

Seacoast Stompers at the Acton Jazz Cafe

Scott Philbrick Cornet, Dave Whitney trumpet, Craig Ball reeds, Lee Prager trombone, Frank Stadler leader/piano, Al Bernard tuba, Bobby Reardon drums

At The Jazz Band Ball, the Seacoast Stompers warned us in advance that this was going to be delectable hot Jazz, with another full house at the Acton Jazz Café.  They added some new songs, Why Do I Like To Myself About You? and included some old Dixieland Chestnuts, Royal Garden Blues, After You’ve Gone, Baby Brown.

Stadler makes full use of the Café’s beautiful Yamaha Baby Grand.  He plots a loose course, giving the musicians room to make suggestions, and they do – most of them are accustomed to leading their own bands.

Frank bent over keyboard of Yamaha Baby Grand

Frank Stadler leads band from the Yamaha Baby Grand

Bobby playing drums - bass drum has picture of his NH plate - KRUPA

Bobby Reardon keeps the band in time. Photo by Harold McAleer

 

 

Albie pushes with his powerful tuba, Jimmy’s single string banjo at high velocity, Bobby Reardon steering them discreetly.

 

 

 

Al Bernard in back wrapped in sousaphone, Jimmy Mazzy up front singing

Albie and Jimmy

 

 

With that fabulous rhythm behind them, the front line is free to explore with great solos and ensemble, mixing harmonies.   This Joint is Jumpin’!

Jimmy’s vocals come from the heart; as if he’s crying for his lost love.
If I Had You,

Please Don’t Talk About Me When I’m Gone, Old Fashioned Love, A Hundred Years From Today, Song of the Wanderer.

He’s scatting on Japanese Sandman.

Whitney interweaves innumerable snippets of tunes with his trumpet, and also does some vocals: the 1930’s tune Fats wrote on a restaurant bill, I’m Confessing, Mobile, Is You Is or Is You Ain’t My Baby.   He’s scatting on Baby Brown.

Craig playing clarinet, Lee quiet in background

Craig Ball, leader of White Heat Swing Orchestra

 

 

The ensemble connects on Sheik of Araby.   Craig Ball’s clarinet is almost kissing the mic on Stevedore Stomp.  He’s in soft tone on I’m Beginning to See The Light.

 

 

Dave and Scott duelling on trumpet and cornet

Dave and Scott go at it!

 

 

 

Trumpet and cornet are teasing and testing each other on Devil and The Deep Blue Sea.   As Time Goes By Dave’s sweet trumpet is backing Scott’s cornet.  They take turns leading and comping on all the tunes.

 

Prager on trombone

Lee Prager fills in the short gaps

 

 

 

LEE  Lee Prager is constantly listening, filling in any gap. That takes talent!

 

 

 

We look forward to the amazing exchanges between the trombone and cornet.   There’s a friendly duel between Lee and Scott at least once in every session – trombone keeping up with the cornet’s myriad notes up and down the register.  It’s all in great fun!

By now the tension is so hot Jimmy loses it on It Don’t Mean a Thing if it Ain’t Got That Swing.   Trading fours scatting with the band, he bursts out with his infamous scream, signifying another winning session!

They will repeat it on the first Saturday of next month, December 8th.  Don’t miss it!

Seacoast Stompers tune list – Nov 2, 2013 – Acton Jazz Cafe

Set 1
1 At The Jazz Band Ball
2 As Time Goes By / Sleepy Time Down South
3 Royal Garden Blues
4 After You’ve Gone
5 Why Do I Lie To Myself About You
6 If I had You
7 Devil and the Deep Blue Sea
8 I’m Confessing
9 Song of the Wanderer

Set 2
1 Sheik of Araby
2 Mobile
3 Please Don’t Talk About Me
4 Old Fashioned Love
5 Baby Brown
6 All Of Me

Set 3
1 Joint is Jumpin, the
2 Hundred Years From Today, A
3 Stevedore Stomp
4 Japanese Sandman
5 Is You Is Or Is You Ain’t My Baby
6 I’m Beginning to see the Light
7 It Don’t Mean a Thing If it Ain’t Got That Swing