Jazz Tuber Trio + 3

At the Sherborn Inn, April 2, 2013

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The Trio, with Ted Casher on reeds, Jim Mazzy banjo/vocals, Eli Newberger tuba/piano, have been joined by a fine drummer, Jeff Guthery drums, for some really Hot Jazz.

The biggest surprise this evening was Rebecca Sullivan,  a grad student at the New England Conservatory in jazz voice and contemporary improvisation.  Eli is one of the NEC board members who’s participated in the mentoring program since its inception in the mid-1990’s.  She and Eli were “assigned” there to one another in the Fall as “mentor” and “mentee.”

Although Eli had heard that Rebecca was great, he had no idea how great.  “Did she ever bless us with her swinging and moving interpretations of this familiar material?” Eli. 

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She certainly did.  She’s a natural, charming entertainer, with passion for the music.

She began with Gershwin’s Our Love is Here to Stay, and Sunny Side of the Street.

I Can’t Give You Anything But Love, Somewhere Over The Rainbow with her own unique version of the  verse.

She instantly captivated the audience with her phrasing and tempo, drawn out pearly notes.

My Old Flame

I Can’t Give You Anything But Love, Baby

The Tubers pulled out an old war horse, That’s A Plenty. They deeply listen to each other and to the music itself, making it energetic and exciting.

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The inexhaustible Ted Casher began Bei Mir Bis Du Schoen mixing klezmer clarinet and swing, with Eli backing on tuba and Jeff wild on drums.  He introduced Just Squeeze Me (But Don’t Tease Me) on tenor sax, with Rebecca enjoying some  high spirited scatting with Ted.

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In complete control of the band, Ted is master on clarinet, tenor sax, soprano sax and even  a dynamic vocal of  Charlie on the MTA.

Now you citizens of Boston,
Don’t you think it’s a scandal
That the people have to pay and pay
Vote for Tom Menino
Fight the fare increase!
Get poor Charlie off the MTA.

You will hear him playing all over the six New England States, thanks to his most avid supporter, his wife Vel. (Thank you, Vel!)

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We’ve been listening to Jimmy Mazzy since the early 70’s when he was playing with the New Cabaret Jazz Band at Billy Mitchell’s Postime in Nantasket Beach.  He hasn’t changed a bit, and we’re still just as fascinated with his banjo and vocals: an exuberant Big Bad Bill (Is Sweet William Now), Just a Gigolo sounding like a soft love song, Jeff backing him on drums with  nice soft brushes. Put it Right Here (Or keep it out there) Eli playing barely detectable low notes on tuba.

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Jeff Guthery first played here last January with the Jazz Tuber Trio.  Jeff is enrolled in Berklee College of Music.

With rhythmic pattern and tempo, and whispering brush strokes and accents, he plays HOT Traditional Jazz as if he were born to it!

Eli has an enormous commitment to two professions, preventing child abuse, and music.  He is world famous for his tuba,  but also gets very emotional playing the piano!

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Jimmy Mazzy and Eli have been friends for close to 40 years. Weekend seminars on abuse at Children’s Hospital conducted by Eli and Carolyn Newberger in the early 70’s had intermittent breaks of tuba and banjo demonstrating abuse in the songs of the 20’s and 30’s.

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Carolyn Newberger was playing washboard back in the mid-1960’s when she and Eli were Resident Directors at Yale’s International House for foreign students. They started a Friday Night Café, where musicians could Jam, and she played washboard.

Eli and Carolyn, who is an artist (see drawings below), child psychologist, and musician, have succeeded in sharing both their personal and professional lives, working together on several projects and often sharing the stage.

On their 50th anniversary,  Eli pulled the washboard out of the attic, and Carolyn is back to being an enthusiastic player.  With Carolyn on washboard, Ted on soprano sax, Jimmy banjo and scatting, all backed by tuba, we heard a vibrant  rendition of Coney Island Washboard Roundelay.

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This evening was filled with fast moving, energetic hot jazz. It was also  an intimate, informal musical experience with friendship and camaraderie between the musicians and their followers and supporters.  We’ll all be back.

The Jazz Tuber Trio, with Rebecca Sullivan and Jeff Guthery, will return to the Sherborn Inn on August 6, October 1, November 12, and December 3rd.  Mark your calendars!

And remember the name – Rebecca Sullivan. You’ll be hearing more from her!  http://www.rebeccasullivanjazz.com

The Monte Carlo Jazz Ensemble Modulates March Madness at the Sherborn Inn

at the Sherborn Inn, March 5, 2013

videos by Eric Devine (Cinedevine)

Trumpet,alto sax, clarinet
Dave Whitney trumpet, John Clark alto sax, Craig Ball clarinet/soprano sax,
Al Bernard tuba, Bill Reynolds drums, Robin Verdier ringleader/piano

It was the ending of a relentless, maddening New England winter, (with March throwing in an extra 2-4 feet of snow, just for the fun of it.)

But we were warm and cozy by the Sherborn Inn’s fireplace, transported back to the the early 20s with the Monte Carlo Jazz Ensemble playing the captivating dances of that fascinating era.

They opened with a 1925 tune by Gus Kahn & Ted Fiorito, Alone At Last, and Down Where The Sun Goes Down,1928, by  great American composers, Isham Jones and Verne Buck.  Dave Whitney substituted for Bob MaInnis, Monte Carlo’s regular cornetist.

Dave Whitney, trumpet
Dave Whitney –

Well known in New England for his work with the Yankee Rhythm Kings, White Heat Swing Orchestra, and Chris Powers Orchestra, Dave was influenced by Louis Armstrong, Bix Beiderbecke, Bobby Hackett and many other great trumpeters of the pre-bop era.

Dave has been called “Premiere early style trumpeter” of this area and “Dean of swing trumpet”.

They played several  high spirited Lu Watters tunes, including Shake It and Break It that he recorded just before Petrillo called a strike and shut all the bands down in the 40’s.

A new version of an old tune, How Am I to Know, was a nice fox trot by Jack King and NY Socialite Dorothy Parker.  Stan Kenton used the chords for his Eager Beaver.

Trumpet, alto sax, clarinet

An All-Star front line, each is a leader in his own right, skilled at navigating the intricacies of these arrangements. Dave Whitney heads the Dave Whitney Big Band as well as several small groups; John Clark leads The Wolverine Jazz Band, a popular traditional jazz band; Craig Ball leads the famous White Heat Swing Orchestra.  Together they play glorious ensemble that rarely leaves the 1920’s.

Al Bernard on gigantic tuba
Albie Bernard controls this monstrous tuba — a 1960 Conn 24J Tuba that was a favorite of dance bands of 20’s and 30’s – with an American sound, and heavy brass.

The tuba was the sound of the train engine intro to My Cutie’s Due at Two to Two

Johnny Dodds, a premiere New Orleans clarinetist recorded this fun tune.
When Erastus Plays His Old Kazoo

Leader, arranger, pianist, Robin Verdier reigns. We can always count on Robin to present superior, intricately arranged, memorable jazz.  He spends hours preparing, and there is usually a rehearsal so the musicians will be familiar with the arrangement.

Robin:

” I add a few arrangements to our book every year, and in making a setlist, I first pick some of the newest.  Then I add requests from fans and musicians, and then tunes that we haven’t done for more than a year, and I mix them together so that the tempo and key change for each tune.  The most important thing about our book is that I really like every tune– so picking some is always disappointing because we have to leave out the rest!”

He has  a complete setlist of tunes, but there wasn’t time to get to all of them!

Robin playing piano

He explained how Lu Watters named his band Yerba Buena and started what we call ‘West Coast Jazz”.   Lu Watters tired of the music he was playing and looked back at the 1920’s, when the music had bite and structure.  He started a band with two cornets, like King Oliver.  He named his band after Yerba Buena –  an island in San Francisco Bay between Oakland and San Francisco. It means “nice peppermint”  (mint plants were grown there at one time).

Watters wrote tunes associated with San Francisco, such as Big Bear Lake, where the Yerba Buena Band sometimes played.  Big Bear Stomp –  West coast folks of a certain age will get up and stomp!

Ed Reynolds drumming on snare drum

Master time-keeper, Bill Reynolds uses rim-taps, choke cymbal.

His technique uses less-is-more, judicious dependable drumming.

My Honey’s Loving Arms

Lost

Yerba Buena Stomp

Sidney Bechet, a Creole from New Orleans, was the undisputed king of the soprano saxophone.  He moved to France where he was accepted.  He wrote many tunes, including Southern Sunset.

Craig Ball handled the Bechet tune effortlessly, playing elegant soprano sax.

Craig Ball on silver soprano sax
That’s a tweed flat cap popular in the 20’s

In 1938 Joe Davis was Fats Waller’s manager.  He has the credit for writing  I’ll Dance at Your Wedding. but it is questionable. It has a very cynical beginning.  Next was Happy Feet, a 1929 pop tune that was done by Bing Crosby with the King of Jazz, Paul Whitman.

They closed with a 1940 tune by Lu Watters, Emperor Norton’s Hunch.  Norton was ridiculed because he had a hunch that someday there would be a bridge between San Francisco and Oakland.  He died in San Francisco of apoplexy January 8, 1886.

His wish was fulfilled when the San Francisco-Oakland Bay Bridge opened on November 12, 1936.

Our only wish is for an end to this New England March Madness!

web site: https://sites.google.com/site/verdiersite/mcje